1996-2020 刊物

• 2020
  • J.‑P. Briot, F.‑D. Pachet : “Intelligence artificielle et musique”, Le Monde libertaire. Quinzomadaire de la Fédération anarchiste, (Les Publications libertaires) (2020)
  • J.‑P. Briot, F. Pachet : “Deep learning for music generation: challenges and directions”, Neural Computing and Applications, vol. 32 (4), pp. 981-993, (Springer Verlag) (2020)
• 2019
  • J.‑P. Briot, G. HADJERES, F.‑D. Pachet : “Deep Learning Techniques for Music Generation”, Computational Synthesis and Creative Systems Series, (Springer), (ISBN: 978-3-319-70162-2) (2019)
  • J.‑P. Briot, G. HADJERES, F.‑D. Pachet : “Deep Learning Techniques for Music Generation -- A Survey”, (2019)
• 2017
  • J.‑P. Briot, F. Pachet : “Music Generation by Deep Learning - Challenges and Directions”, (2017)
  • J. Sakellariou, F. Tria, V. Loreto, F. Pachet : “Maximum entropy models capture melodic styles”, Scientific Reports, vol. 7, pp. 9172, (Nature Publishing Group) (2017)
• 2016
  • F. Pachet, A. Cardoso, V. Corruble, F. Ghedini : “Proceedings of the Seventh International Conference on Computational Creativity, UPMC, Paris, France, June 27 - July 1, 2016.”, (ISBN: 978-2-7466-9155-1) (2016)
• 2007
  • G. Cabral, J.‑P. Briot, S. Krakowski, L. Velho, F. Pachet, P. Roy : “Analytical Features to Extract Harmonic or Rythmic Information”, 11^th Brazilian Symposium on Computer Music (SBCM'2007), São Paulo, SP, Brazil, pp. 153-165, (Sociedade Brasileira de Computação (SBC), Brazil) (2007)
• 2006
  • G. Cabral, J.‑P. Briot, F. Pachet : “Incremental parsing for real time accompaniment systems”, Special Track on Artificial Intelligence in Music and Art (AIMA'2006) Florida Artificial Intelligence Research Society Conference 19^th International FLAIRS'2006 Conference, Melbourne Beach, Florida, United States, pp. 227-230, (Florida Artificial Intelligence Research Society) (2006)
  • G. Cabral, F. Pachet, J.‑P. Briot : “Recognizing chords with EDS: Part one”, Computer Music Modeling and Retrieval: Third International Symposium, CMMR 2005. Revised Papers International Symposium on Computer Music Modeling and Retrieval, vol. 3902, Lecture Notes in Computer Science, Pisa, Italy, pp. 185-195, (Springer-Verlag) (2006)
• 2005
  • G. Cabral, J.‑P. Briot, F. Pachet : “Impact of Distance in Pitch Class Profile Computation”, SBCM 2005 - 10^th Brazilian Symposium on Computer Music, Belo Horizonte, MG, Brazil, pp. 319-324 (2005)
  • G. Cabral, J.‑P. Briot, F. Pachet : “Parsing Incremental para Acompanhamento em Tempo Real”, SBCM 2005 - 10^th Brazilian Symposium on Computer Music, Belo Horizonte, MG, Brazil, pp. 333-337 (2005)
  • G. Cabral, F. Pachet, J.‑P. Briot : “Automatic x traditional descriptor extraction: The case of chord recognition”, ISMIR 2005 - 6^th International Conference on Music Information Retrieval, London, United Kingdom, pp. 444-449, (University of London) (2005)
• 2004
  • F. Pachet, J.‑P. Briot : “Informatique musicale : du signal au signe musical”, Traité IC2, série Informatique et systèmes d’information, (Hermes Science Publications), (ISBN: 2-7462-0825-3) (2004)
  • F. Pachet, J.‑P. Briot : “Introduction”, chapter in Informatique musicale : du signal au signe musical, Collection IC2, pp. 17-19, (Hermès-Lavoisier), (ISBN: 2-7462-0825-3) (2004)
• 1999
  • P. Roy, A. Liret, F. Pachet : “A Framework for Constraint Satisfaction”, (1999)
• 1998
  • P.‑Y. Rolland, F. Pachet : “Représentation de connaissances sur la programmation de synthétiseurs”, chapitre de Recherches et applications en informatique musicale, Informatique Musicale, (Hermès) (1998)
• 1997
  • F. Pachet : “Langages à objets et représentation de connaissances”, 特许任教资格, 答辩 1997-5-1 (1997)
  • P. Roy, A. Liret, F. Pachet : “A Framework for Object-Oriented Constraint Satisfaction Problems”, chapitre de Implementing Application Frameworks: Object-Oriented Frameworks at Work, pp. 369-402, (John Wiley & Sons) (1997)
  • P. Roy, F. Pachet : “Reifying Constraint Satisfaction in Smalltalk”, Journal of Object-Oriented Programming, vol. 10 (4), pp. 43-51 (1997)
• 1996
  • P.‑Y. Rolland, F. Pachet : “A framework for representing knowledge about synthesizer programming”, Computer Music Journal, vol. 20 (3), pp. 47-58, (Massachusetts Institute of Technology Press (MIT Press)) (1996)